helicotrema2014:

OPEN CALL HELICOTREMA 2014 Blauer Hase announces an open call for the presentation of recorded audio pieces, mono or stereo, whose duration doesn’t exceed 10 minutes. The pieces may be based solely on a sound component, and they will be heard by an audience in a single room, from start to finish (as with a film in a cinema projection). The pieces may involve both spoken language and musical or sound elements. Helicotrema will present sound pieces such as audio plays, audio documentaries, experimental poetry, field recordings and other timeline-based formats based only on an acoustic component. We are interested in works that present a narrative (be it fictional or documentary) or an evolution over time. The selected pieces will be presented during the third edition of the Helicotrema festival of audio works. The festival will take place in September 2014 in Milan.DEADLINE: 15 August 2014.How to participate: Send an mp3 version of your contribution (maximum 10 minutes / 20 MB) to: helicotrema@blauerhase.com ————————————- INVITO APERTO  helicotrema 2014  Blauer Hase indice un bando per la presentazione di brani audio registrati, mono o stereo, la cui durata non superi i 10 minuti. I pezzi possono essere basati unicamente su una componente sonora, e saranno ascoltati da un pubblico in un unico ambiente, dall’inizio alla fine (come la proiezione di un film). I pezzi possono includere sia la lingua parlata che elementi musicali o sonori. Durante Helicotrema saranno presentati radiodrammi, radiodocumentari, poesia sperimentale, paesaggi sonori e altri formati narrativi basati solo su una componente acustica. Siamo interessati ad opere che presentano una narrazione(di finzione o documentaristica) o un’evoluzione nel tempo.  I pezzi selezionati saranno presentati durante la terza edizione del festival Helicotrema, che si svolgerà a settembre 2014 a Milano. SCADENZA: 15 agosto 2014. Come partecipare: Inviare una versione mp3 del vostro contributo (massimo 10 minuti / 20 MB) a: helicotrema@blauerhase.com

helicotrema2014:

OPEN CALL
HELICOTREMA 2014

Blauer Hase announces an open call for the presentation of recorded audio pieces, mono or stereo, whose duration doesn’t exceed 10 minutes. The pieces may be based solely on a sound component, and they will be heard by an audience in a single room, from start to finish (as with a film in a cinema projection). The pieces may involve both spoken language and musical or sound elements.

Helicotrema will present sound pieces such as audio plays, audio documentaries, experimental poetry, field recordings and other timeline-based formats based only on an acoustic component. We are interested in works that present a narrative (be it fictional or documentary) or an evolution over time.

The selected pieces will be presented during the third edition of the Helicotrema festival of audio works. The festival will take place in September 2014 in Milan.

DEADLINE: 15 August 2014.

How to participate: Send an mp3 version of your contribution (maximum 10 minutes / 20 MB) to: helicotrema@blauerhase.com



————————————-
INVITO APERTO
helicotrema 2014 

Blauer Hase indice un bando per la presentazione di brani audio registrati, mono o stereo, la cui durata non superi i 10 minuti. I pezzi possono essere basati unicamente su una componente sonora, e saranno ascoltati da un pubblico in un unico ambiente, dall’inizio alla fine (come la proiezione di un film). I pezzi possono includere sia la lingua parlata che elementi musicali o sonori.

Durante Helicotrema saranno presentati radiodrammi, radiodocumentari, poesia sperimentale, paesaggi sonori e altri formati narrativi basati solo su una componente acustica. Siamo interessati ad opere che presentano una narrazione(di finzione o documentaristica) o un’evoluzione nel tempo.

I pezzi selezionati saranno presentati durante la terza edizione del festival Helicotrema, che si svolgerà a settembre 2014 a Milano.


SCADENZA: 15 agosto 2014.

Come partecipare: Inviare una versione mp3 del vostro contributo (massimo 10 minuti / 20 MB) a: helicotrema@blauerhase.com

2 notes Reblog

Spoilsport is a path around the social space surrounding contemporary sport, the mechanisms regulating its production of values, its historical background. It is defined as ‘spoilsport’, as it tries to analyze the roots of a passion, determine the measurement conventions of a movement, investigate the causes of success of particular social practices. In English “to spoil” means “to impair the completeness, perfection, or unity of something”; this book defines itself ‘spoilsport’ as it intends to decompose, disunite and compromise the completeness of a phenomenon that requires to be disassembled to be studied in detail.
‘Spoilsport’ is an attitude rather than a research modality. Throughout the thread of featured conversations and contributions, a transdisciplinary field of investigation will be defined, including elements of history, philosophy, art, cinema, performance, music, literature, and accounts of first-hand sport experiences.
Along the path, the reader will encounter different works of art, which aim to trigger doubts and questions about specific aspects of the social space defined by contemporary sport, such as the film Zidane: a 21st Century Portrait (2006) by Douglas Gordon and Philippe Parreno, the video David (2004) by Sam Taylor-Wood, the photographic installation Untitled (Bourgeoisie) by Lyle Ashton Harris (2006), and the performance Rest Energy (1980) by Marina Abramovic and Ulay.
Among the different texts that form the book, four dialogues between Achilles and the Tortoise appear. The two protagonists of Zeno’s paradox were chosen as they are athletes participating in a race that never ends. In the pages that follow, the reader will occasionally encounter them introducing points for reflection, and raising questions and issues around the relationship between art and sport.

With Stefano Baldini, Franco Bitossi, Julia Bryan-Wilson, Nathan Cheriki, Giovanni Giaretta, RoseLee Goldberg, Douglas Gordon, Lyle Ashton Harris, Marine Lahaix, Jørgen Leth, David Rimanelli, Erik Satie, Carolina Valencia Caicedo.
Edited by Riccardo Giacconi.

94 pages
isbn: 978-2-910164-58-4

Spoilsport is a path around the social space surrounding contemporary sport, the mechanisms regulating its production of values, its historical background. It is defined as ‘spoilsport’, as it tries to analyze the roots of a passion, determine the measurement conventions of a movement, investigate the causes of success of particular social practices. In English “to spoil” means “to impair the completeness, perfection, or unity of something”; this book defines itself ‘spoilsport’ as it intends to decompose, disunite and compromise the completeness of a phenomenon that requires to be disassembled to be studied in detail.
‘Spoilsport’ is an attitude rather than a research modality. Throughout the thread of featured conversations and contributions, a transdisciplinary field of investigation will be defined, including elements of history, philosophy, art, cinema, performance, music, literature, and accounts of first-hand sport experiences.
Along the path, the reader will encounter different works of art, which aim to trigger doubts and questions about specific aspects of the social space defined by contemporary sport, such as the film Zidane: a 21st Century Portrait (2006) by Douglas Gordon and Philippe Parreno, the video David (2004) by Sam Taylor-Wood, the photographic installation Untitled (Bourgeoisie) by Lyle Ashton Harris (2006), and the performance Rest Energy (1980) by Marina Abramovic and Ulay.
Among the different texts that form the book, four dialogues between Achilles and the Tortoise appear. The two protagonists of Zeno’s paradox were chosen as they are athletes participating in a race that never ends. In the pages that follow, the reader will occasionally encounter them introducing points for reflection, and raising questions and issues around the relationship between art and sport.

With Stefano Baldini, Franco Bitossi, Julia Bryan-Wilson, Nathan Cheriki, Giovanni Giaretta, RoseLee Goldberg, Douglas Gordon, Lyle Ashton Harris, Marine Lahaix, Jørgen Leth, David Rimanelli, Erik Satie, Carolina Valencia Caicedo.
Edited by Riccardo Giacconi.

94 pages
isbn: 978-2-910164-58-4

5 notes Reblog

Spoilsport is a path around the social space surrounding contemporary sport, the mechanisms regulating its production of values, its historical background. It is defined as ‘spoilsport’, as it tries to analyze the roots of a passion, determine the measurement conventions of a movement, investigate the causes of success of particular social practices. In English “to spoil” means “to impair the completeness, perfection, or unity of something”; this book defines itself ‘spoilsport’ as it intends to decompose, disunite and compromise the completeness of a phenomenon that requires to be disassembled to be studied in detail.
‘Spoilsport’ is an attitude rather than a research modality. Throughout the thread of featured conversations and contributions, a transdisciplinary field of investigation will be defined, including elements of history, philosophy, art, cinema, performance, music, literature, and accounts of first-hand sport experiences.
Along the path, the reader will encounter different works of art, which aim to trigger doubts and questions about specific aspects of the social space defined by contemporary sport, such as the film Zidane: a 21st Century Portrait (2006) by Douglas Gordon and Philippe Parreno, the video David (2004) by Sam Taylor-Wood, the photographic installation Untitled (Bourgeoisie) by Lyle Ashton Harris (2006), and the performance Rest Energy (1980) by Marina Abramovic and Ulay.
Among the different texts that form the book, four dialogues between Achilles and the Tortoise appear. The two protagonists of Zeno’s paradox were chosen as they are athletes participating in a race that never ends. In the pages that follow, the reader will occasionally encounter them introducing points for reflection, and raising questions and issues around the relationship between art and sport.

With Stefano Baldini, Franco Bitossi, Julia Bryan-Wilson, Nathan Cheriki, Giovanni Giaretta, RoseLee Goldberg, Douglas Gordon, Lyle Ashton Harris, Marine Lahaix, Jørgen Leth, David Rimanelli, Erik Satie, Carolina Valencia Caicedo.
Edited by Riccardo Giacconi.

94 pages
isbn: 978-2-910164-58-4

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Arsenale di Venezia

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Arsenale di Venezia

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February 1st, 2014
Flood in north-eastern Italy.

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A rectangle wins the Olympic Athens marathon.

A rectangle wins the Olympic Athens marathon.

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Paesaggio is a periodical publication by Blauer Hase.
Each edition comprises a collection of landscapes by different artists, in form of text and without using images.

octopus issue
Artists: Alice Aycock, Daniel Gustav Cramer, Tacita Dean, Haris Epaminonda, Hreinn Friðfinnsson, Douglas Gordon, Kiluanji Kia Henda, Mark Lewis, Marko Mäetamm, Naeem Mohaiemen, Oscar Muñoz, Roee Rosen, Nedko Solakov.

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Shopping bag design
Isia Urbino / Werkplaats Typografie
Summer School 2013

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ISIA Urbino / Werkplaats Typografie
Summer School 2013

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Simbologia vegetale nell’araldica socialista
(vegetal symbology in socialist heraldry)
supervised by Mauro Bubbico, Isia Urbino, June 2013.

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UR3INO
With the collaboration of Teresa Gallo and Diana Sbabo.
Urbino, June 2013.

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UR3INO
With the collaboration of Teresa Gallo and Diana Sbabo.
Urbino, June 2013.

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Illustration for GELATI Fanzine Festival, in collaboration with Riccardo Giacconi.
May 2013.

Illustration for GELATI Fanzine Festival, in collaboration with Riccardo Giacconi.
May 2013.

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